
Friday, February 29, 2008
Jesus Christ, The Son of God

Monday, February 25, 2008
Cynefin

But The Welsh Girl is intriguing in its own right. My favorite aspect of the novel was not the plot or even the characters, but the symbol of the sheep herds so vital to life in Esther's small village. Davies paints a world in which herders are tied to the flocks, and flocks are in turn tied to their land, unable to stay on strange land for long. This idea of attachment to a plot of land is called cynefin. Even more interesting to me is the necessity of the female animals to sustain the flock. After they do their duty to the flock, mature males are sent to town for sale for meat. The females, however, are the lifeblood of the flock. Esther wonders why the German refers to is native country as the "fatherland"; in her experience, the only appropriate term for that feeling of obligation to country is "motherland." Interesting.
Gotta love some matriarchal discussion.
The Dance
In museums, it is obvious to me those patrons who are seasoned veterans and those who are ignorant novices of observing displayed art. For those who are more experienced, a general awareness exists of the dance, upon which enjoying a museum critically hangs. I would like to offer up, by way of illustration, my experience in the City Art Centre in Edinburgh this past weekend.
In the City Art Centre, 150 originals by renowned American photographer Ansel Adams were on display over three floors. The exhibit wasn't very crowded at all, and judging by the adherence to the rules of the dance by the vast majority of all patrons in the museum, I'm confident that my friends and I were among dedicated art buffs.
Here's how the dance works: two patrons stand side by side in front of one piece of art. In a nook, one patron has been moving counterclockwise through the display. The second patron, to avoid hurrying the first, has chosen to start at the opposite end of the display and move clockwise. Inevitably, the two merge at one piece. Both people look at the item for a while; finally, when someone is ready to move on, he or she steps backward, and moves around the second patron. The second patron then shifts the opposite direction, thus making room for the first to take a last goodbye before moving on to the next piece. The transition, if executed well, is seamless and comfortable. Ah, the dance.
Well, this wasn't as great a post as I had in my mind. The exhibit was fantastic. I'm glad Abbie decided to go up, because I wasn't totally thrilled about paying £2.50 to get in, but it was worth it. Surprisingly, though I am not from California, Adams' few shots of Utah made me so incredibly homesick. I especially liked this shot of the Manti temple.
In the City Art Centre, 150 originals by renowned American photographer Ansel Adams were on display over three floors. The exhibit wasn't very crowded at all, and judging by the adherence to the rules of the dance by the vast majority of all patrons in the museum, I'm confident that my friends and I were among dedicated art buffs.
Here's how the dance works: two patrons stand side by side in front of one piece of art. In a nook, one patron has been moving counterclockwise through the display. The second patron, to avoid hurrying the first, has chosen to start at the opposite end of the display and move clockwise. Inevitably, the two merge at one piece. Both people look at the item for a while; finally, when someone is ready to move on, he or she steps backward, and moves around the second patron. The second patron then shifts the opposite direction, thus making room for the first to take a last goodbye before moving on to the next piece. The transition, if executed well, is seamless and comfortable. Ah, the dance.
Well, this wasn't as great a post as I had in my mind. The exhibit was fantastic. I'm glad Abbie decided to go up, because I wasn't totally thrilled about paying £2.50 to get in, but it was worth it. Surprisingly, though I am not from California, Adams' few shots of Utah made me so incredibly homesick. I especially liked this shot of the Manti temple.

Monday, February 18, 2008
Thursday, February 14, 2008
What I Love About London
Dedicated to Jake.
Bitter Lemon:

Diana, Princess of Wales Memorial Playground:

The bridge on the Serpentine at Hyde Park:

And its views:

The Central Line (incidentally, I hate the Circle Line):

Intriguing exhibits at the V&A:

That's all for now. More to follow?
Bitter Lemon:

Diana, Princess of Wales Memorial Playground:

The bridge on the Serpentine at Hyde Park:
And its views:

The Central Line (incidentally, I hate the Circle Line):

Intriguing exhibits at the V&A:

That's all for now. More to follow?
Friday, February 8, 2008
Candid Camera
Monday, February 4, 2008
YORKIE: IT'S NOT FOR GIRLS!
Two posts in one day! Lucky you.
So today at lunch I ran out and bought a Yorkie bar, because, well, I hadn't tried one yet here in sunny London (weather has been gorgeous, by the way, clear days have definitely outweighed the rainy) and I wanted something chocolatey.
I got home, busted it open, broke off one of the massive blocks (this ain't no Dove bar) and started nibbling some of the chocolate off. I pondered aloud, in my room shared with 13 other co-eds, "Why isn't it for girls? I don't see anything about this not for girls, honestly."
"It's a weight-gain stimulant!" someone shouted over the closet barricade that breaks our room into two uneven sides (mine being the smaller and much more cramped side, but quieter and darker at night, thank goodness). Weight gain? That was no good, I was already on my third brick of chocolate. "It has whey in it!" another voice shouted over. Um, well it is chocolate, so whey, a derivative of milk, might make its way (whey, haha) into the bar. But I will give them that whey is a common additive to bulk-up stuff. But the Yorkie bar?
Feeling an urban myth lurking about our room, and also to justify my happily devouring my new chocolate bar, I googled "YORKIE: IT'S NOT FOR GIRLS!" which is verbatim what appears on the wrapper:
Nestle UK was kind enough to debunk my silly roommates, confirming that "In 2001 the Yorkie 'It’s Not for Girls' campaign was launched because, in today’s society, there aren’t many things that a man can look at and say that’s for him." Fair enough, I'll consent to the truth of that. And though it will most certainly induce weight-gain, that is not its sole utility. Any guy pounding one of these before hitting the gym will be sorry to know that he is quite defeating the purpose.
And of course, Google is great for finding a wide range of all sorts of entertaining nonsense. I site example one, religious commentary and Yorkie bars:
And the more obvious chauvinism and Yorkie bars:
Favorite candy bars so far in the UK: Double Decker, mint Aero, Crunchy, and Lion. Yum.
So today at lunch I ran out and bought a Yorkie bar, because, well, I hadn't tried one yet here in sunny London (weather has been gorgeous, by the way, clear days have definitely outweighed the rainy) and I wanted something chocolatey.
I got home, busted it open, broke off one of the massive blocks (this ain't no Dove bar) and started nibbling some of the chocolate off. I pondered aloud, in my room shared with 13 other co-eds, "Why isn't it for girls? I don't see anything about this not for girls, honestly."
"It's a weight-gain stimulant!" someone shouted over the closet barricade that breaks our room into two uneven sides (mine being the smaller and much more cramped side, but quieter and darker at night, thank goodness). Weight gain? That was no good, I was already on my third brick of chocolate. "It has whey in it!" another voice shouted over. Um, well it is chocolate, so whey, a derivative of milk, might make its way (whey, haha) into the bar. But I will give them that whey is a common additive to bulk-up stuff. But the Yorkie bar?
Feeling an urban myth lurking about our room, and also to justify my happily devouring my new chocolate bar, I googled "YORKIE: IT'S NOT FOR GIRLS!" which is verbatim what appears on the wrapper:

And of course, Google is great for finding a wide range of all sorts of entertaining nonsense. I site example one, religious commentary and Yorkie bars:


A Giant Among Men

I was so inspired by what I saw and heard that I scratched my Primary lesson (I teach 8-12 year-olds Sunday School) and made a powerpoint presentation of all that President Hinckley had done in his nearly 13 years as president of The Church of Jesus Christ of Latter-day Saints and prophet, seer, and revelator and holder of all priesthood keys in this dispensation. Beyond all his traveling, relations with the media, and humaritarian work, he also delivered the revelation The Family: A Proclamation to the World, instituted the Perpetual Education Fund, nearly tripled the number of operating temples, and so much more. My kids really loved it, especially because I typed up everything in Spanish and Portuguese so that everyone could participate, and I brought a map so we could see where in the world, significant to my diverse little group, temples had been built. It was pretty awesome to see temple growth, especially in 1999 and 2000. Overwhelming, actually.
Though I had been in the same room as President Hinckley on different occasions, I never knew him personally. However, I can bear witness to the validity of his calling and of the authority invested in him to act as the head of the Lord's true church on earth. He was duly prepared from a young age, and though an imperfect human as we all are, he provided an inspiring example of one who strove to "stand a little taller" as he advised us all to do. Reviewing his life, I realized what a body of counsel he gave to the members of the Church, especially to youth. That was me. He gave advice for my generation, and I feel renewed in my desire to pursue it.
Well done, thou good and faithful servant.
Gordon B. Hinckley, 1910-2008
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